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ctices department began monitoring the scripts and kowtowing to advocating groups. A sketch consisting of a nun (played by Ullman), a priest, and last rites was pulled midproduction. Producers were given the option of either watering down the skit or not doing it at all. Ullman had no problem with the piece. Brooks responded: "They're smart enough to know that they can't have a bland network that responds every pressure and be successful ... If we really believe a piece should be broadcast, then we will take a stand. We do care about doing characters accurately and in them taking a comic view of life, but when censorship interferes with that, we've got to scream."
Opening sequence George Clinton was hired to write and perform the show's funk-infused theme song, "You're Thinking Right." Brooks hired animation and graphic-design company Klasky Csupo to design the show's title sequence. It would become the studio's big break. In addition to handing the show's opening, they also produced the show's animated bumpers. The opening title sequence in seasons one and two followed a brief introduction by Ullman to the studio audience. For season three, however, the opening was scrapped, and in its place, a live-action farce was used; Ullman pulls up to the 20th Century Fox lot in her car and hits a pedestrian. She attempts CPR in front of onlookers and revives her victim. She then rushes into the studio and meets George Clinton; a person tries to get her opinion on a costume; Paula Abdul attempts to go over choreography with her. Next, she visits the makeup room and greets her fellow castmates – this includes the Simpson family. She then looks at a pushpin board, and s tills of that week's sketches are posted. Season four featured a title sequence similar to the first two seasons.
Ending After four seasons, Ullman decided to end the show, stating that she was "constantly challenged and happily tortured by a unique group of people." She also thanked Fox "for letting somebody no one ever heard of do a show on a netw