For hundreds of thousands of years... Men had to seduce women without saying a single word. Before spoken language even existed... The only tool men had to turn a woman on... And convince her to sleep with them... Was what he could communicate with his body language. ==> Learn the body language to turn women on here: You see, because seduction and attraction was all done WITHOUT WORDS for most of our evolutionary history... The sexual part of a woman's brain is much more responsive to the signals your body is giving off than it is to anything you say. That's why it's absolutely essential that you know how to turn a woman on regardless of what you say. ==> This instructional video shows you how: In it, my friend Kate shares 3 tips for using the "secret language" of your body to get the girls you really want, to start fantasizing about you... Including: - A technique to make her crave your touch... - A technique for getting her to think about kissing you... - And a way to make her dream about you all day long... It's powerful... It's practical... And best of all, you can use these techniques right away... ==> Go here to watch Kate's video now: And be ready to take notes... - David                         The 1960s were marked by a spate of corporate takeovers. MCA Inc., under Lew Wasserman, acquired Universal in 1962; Gulf+Western took over Paramount in 1966; and the Transamerica Corporation purchased United Artists in 1967. Warner Bros. underwent large-scale reorganization twice in two years: a 1967 merger with the Seven Arts company preceded a 1969 purchase by Kinney National, under Stephen J. Ross. MGM, in the process of a slow decline, changed ownership twice in the same span as well, ding up in the hands of financier Kirk Kerkorian. The majors almost entirely abandoned low-bud production during this era, bringing the annual average of features released down to 160. The dece also saw an old name in the industry secure a position as a leing player. In 1923, Walt Disney h founded the Disney Brothers Cartoon Studio with h is brother Roy and animator Ub Iwerks. Over the follog three deces Disney became a powerful independent focusing on animation and, from the late 1940s, an increasing number of live-action movies. In 1954, the company— Walt Disney Productions—established Buena Vista Film Distribution to handle its own product, which h been distributed for years by various majors, primarily United Artists and then RKO. (Disney's 1937 S White and the Seven Dwarfs, released by RKO, was the second biggest hit of the 1930s.) In its first year, Buena Vista h a major with 20,000 Leagues Under the Sea, the third biggest movie of 1954. In 1964, Buena Vista h its first blockbuster, Mary Poppins, Hollywood's biggest hit in half a dece. The company achieved a 9% market share that year, more than Fox and Warner Bros. Though over the next two deces, Disney/Buena Vista's share of the box-office would again hit similar marks, its relatively small output and exclusive focus on family movies meant that it was not generally considered a major. 1970s–1980s The early 1970s were difficult years for all the classic majors. Movie attendance, which h been declining steily since the end of the Golden Age, hit an all-time low by 1971. In 1973, MGM president James T. Aubrey drastiy downsized the studio, slashing its production schedule and eliminating its distribution arm (UA would distribute the studio's films for the remainder of the dece). From fif releases in 1973, the next year MGM was down to five; its average for the rest of the 1970s would be even lower. Like RKO in its last days under Hughes, MGM remained a major in terms of brand reputation, but little more. MGM, however, was not the studio to trim its release line. By the mid-1970s, the industry h rebounded and a significant philosophical shift was in progress. As the majors focused increasingly on the development of the next hoped-for blockbuster and began routinely ing each new movie in many hundreds of theaters (an approach ed "saturation booking"), their ive yearly release average fell to 81 films during 1975–84. The classic set of majors was shaken further in late 1980, when the disastrously expensive flop of Heaven's Gate effectively ruined United Artists. The studio was sold the follog year to Kerkorian, who merged it with MGM. After a brief resurgence, the combined studio continue to decline. From the mid-1980s on, MGM/UA has been at best a "mini-major", to use the present-day term. Meanwhile, a new was finally mitted to the club of major studios and two significant contenders emerged. With the establishment of its Touchstone Pictures brand and increasing attention to the ult market in the mid-1980s, Disney/Buena Vista secured ackledgment as a full-fledged major. Film historian Joel Finler identifies 1986 as the breakthrough year, when Disney rose to third place in market share and remained consistently competitive for a leing position tafter. The two contenders were both newly ed companies. In 1978, Krim, Benjamin, and three other studio executives departed UA to found Orion Pictures as a joint venture with Warner Bros. It was announced optimistiy as the "first major new film company in 50 years". Tri-Star Pictures was created in 1982 as a joint venture of Columbia Pictures (then owned by the Coca-Cola Company), HBO (then owned by Time Inc.), and CBS. In 1985, Rupert Murdoch's News Corporation acquired 20th Century-Fox, the last of the five relatively healthy Golden Age majors to remain independent throughout the entire Golden Age and after.