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colonial significance
Le Corbusier Centre, Chandigarh Background Nehru said of Chandigarh when he first visited the site of the new city in 1952: "Let this be a new town, symbolic of the freedom of India, unfettered by the traditions of the past, an expression of the nation's faith in the future". For Nehru, Chandigarh represented a vision for how a new planned city could be a canvas for the regeneration of the nation itself after centuries of oppression under British colonial rule and the dilution of Indian character from the nation's towns. Guided by the architectural optics of Le Corbusier the development of Chandigarh was part of a state-driven exercise to break from the traditions of imperialism in city making and begin the process of healing from the injustices suffered.
To the extent that Chandigarh epitomises the destructive influence of the British, in the impetus of its creation as a solution to the otherwise violent partitioning of territory between India and Pakistan, it represents an early ideological symbol for the birth of India's future. The selection of the physical site involved an extensive vetting process. Many existing towns in Punjab were surveyed as options for the new capital and dismissed for poor performance in relation to factors such as military defensibility and capacity for accommodating potential refugee influxes. The construction of a new town in Chandigarh was determined to be the best option due to its relative strength in these factors as well as its proximity to the national capital, New Delhi, its central location within the state of Punjab, its abundance of fecund land and its beautiful natural landscape.
Architecture Museum in Sector 10, Chandigarh chronicles the architectural development of Chandigarh Modernism in new town design Off the back of this conflation of assets Chandigarh then was well poised to serve a function as a city-building project in national identity. From a federal policy perspective, the development of the new town became a tool in India for modernisation and an intended driver of economic activity, legal reform, and regional growth as well as a significant agent for the decolonisation project. As Britain's grip on their empire began to weaken their accelerated withdrawal between the beginning of the second world war and 1947 left their former colony in states of disarray and disorganisation, and policymakers for the new Indian government were required to contend with issues such as rapid rural depopulation, urban congestion, and poverty. As well as in Chandigarh this policy tool was implemented in the creation of new capital cities in Bhubaneswar and Gandhinagar, and more broadly throughout India in the 112 planned cities created between independence and 1971, purposed to absorb migration from those regions in demise after being abandoned by the British and provide hubs for growing industries such as in steel and energy.
These examples from a genealogy of utopian urban forms developed in post-independence India as a panacea for issues related to underdevelopment as well as post-independence complications to do with separatist religious conflict and the resulting diplomatic tensions. Chandigarh is the first example of a state-funded master-planned modernisation scheme. These "urban utopias" attempt to enforce nation-building policies through a federalised rule of law at a regional level, and diffuse postcolonial urbanism which codes justice in its design. The intent is that the economic success and progressivism of cities such as Chandigarh as a lightning rod for social change would gradually be emulated at the scale of the nation. Chandigarh was for Nehru and Le Corbusier an embodiment of the egalitarian potential offered by modernism, where the machine age would complete the liberation of the nation's citizens through the productive capacity of industrial technology and the relative ease of constructing civic facilities such as dams, hospitals, and schools; the very antithesis of the conservative and traditional legacy of colonialism. Though built as a state capital Chandigarh came to be focused in industry and higher education. The specialisation of these new towns in particular functions represents a crucial aspect of the modernisation process as a decolonising enterprise, in completing a national portfolio where each town forms a part of the utopian model for contemporary India.
The post-colonialism of Chandigarh is rooted in the transformation of the political ideas of those such as Nehru who generated a new Indian nationalism into the design of newly built forms. Scholars such as Edward Said have emphasised the sinister nature of nostalgia and the romanticis